This thesis adopts Socio-Rhetorical Interpretation to explore the impact of Paul’s use of armour language in 1 Thessalonians 5:8. The approach examines the interaction of visual, cultural and written texts (‘textures’) related to the discourse of 1 Thessalonians 5:1–10. Specific consideration is given to the blending of imagery from Roman Imperial cuirass breastplate statue types and the Divine Warrior motif. The thesis contends that, rather than emphasising eschatological alertness or readiness for cosmic battle, Paul’s transposition of these figures informs the identity and behaviour of the implied audience in a civic context where clear tensions are emerging because of their faithful response to Christ.
